The Juice

I don’t remember exactly where I was on June 12, 1994, when Nicole Brown Simpson and Ron Goldman were brutally murdered. Based on the timeline, I’m sure I was in Selleck Hall on UNL campus, attending summer classes. I was probably hanging out in my room watching Star Trek: The Next Generation when the news broke like distant thunder in a dark sky. I don’t remember where I was during the tense Ford Bronco chase either. I was probably taking a nap.

I do remember exactly where I was and what I was doing on October 2, 1995, when the verdict in the trial of the century was read. Like most of America, including children in classrooms across the country, I was tuned in and watching. I was in my room on the second floor of Selleck Hall’s main building, located right next to the elevator and directly above the famous dining hall. I was lying on my bed in front of my small TV with my room door open, as many guys on the floor did during the day hours. I watched in horror as the court clerk read the verdict, finding O.J. Simpson not guilty of murder. I remember hearing crying from the courtroom, as well as someone screaming, “No!”

What happened next is seared into my memory. A guy named Kenji, an African-American student who lived across the hall from me, began screaming and shouting. They weren’t screams of anger, outrage or fear. They were celebratory in nature, as if his football team just won the Super Bowl. I lay on my bed and choked down my anger as several other voices on the floor also joined in the cheers and whooping.

That moment was when I really got it for the first time. I saw the great racial divide that exists in America. Sure, I’d watched the Rodney King drama unfold three years earlier, but the names and voices from L.A. were just concepts coming to me out of the air. And sure, I’d been lectured at by sanctimonious professors in classrooms about racism and such. The Simpson verdict was when I really got the point.

In that moment as I listened to Kenji rejoicing over the liberation of a guy who butchered the mother of his kids, I hated the fucker. I didn’t hate him because he was black. Kenji and I served together in Selleck government and I always liked the guy. But now, I hated him for cheering on a rich asshole who literally got away with murder.

Nine years later, I was attending an NFBNewsline seminar in Baltimore. I was in a room known as the Quadrangle, a large space that held four beds. I had three roommates. Two of them were black. Somehow, the subject of O.J. Simpson came up. I remember feeling outnumbered and attacked as I stated that I was dead certain that O.J. had gotten away with murder. The two of them laughed at me. I remember the laughter to this day. It was scornful, mocking and derisive. They were confident in their assurance that O.J. had been framed for murder. Based on the way Nicole and Ron’s throats had been cut, it had obviously been done by gangsters to whom O.J. owed gambling debts. The murders were a warning to O.J. to either pay up or die. That’s why he ran. He feared for his life.

These two guys are suckers, I thought. They actually think that O.J. was innocent. They are buying into a conspiracy theory that has no basis in fact.

Now, after the death of O.J. Simpson four days ago from cancer at age 76, I have come to doubt my initial impulse. It was born of reflexive vexation for being mocked as if I were a loveable but simple child. Looking back on it, I firmly believe that both men knew full well that O.J. was guilty. They knew the truth for what it was, but they chose to advance a certain narrative in solidarity with their community. In other words, they were gaslighting me. They were gaslighting a dumb hick from Nebraska who didn’t know what it was like to grow up black in Atlanta. They were contemptuous of a white boy who just didn’t get black anger in America. They were chiding a clueless idiot who didn’t understand the healthy, well-earned suspicion that many black people harbored toward the police. That Ryan O. was a nice enough guy, but he was naïve at best, ignorant at worst. Yes, they had very good reasons to lie to me, but they were lying none the less.

How do I know they were gaslighting me? Because, I’ve experienced it time after time after time over the past 10 years. It’s been done again and again for the same reasons. The pattern is sickeningly familiar. The reasons are varied, from supporting a certain political candidate to protecting society from an invisible disease to condemning a foreign country for defending itself. But the motives, benevolent at the beginning and sinister as they mushroom, are always the same. If the stakes are high enough, the lie is a noble one. It has to be told to serve a greater good. If you choose not to believe this lie and engage in a full-throated support of it, you are the problem. You are racist. You are sexist. You are Islamophobic, or transphobic, or whatever the cause du jour might entail. You are bigoted and close-minded. You’re a dupe for the invisible puppet masters pulling the strings. You are the true enemy and you deserve to be canceled, shunned, ridiculed and maybe even to have righteous violence visited upon you.

How ironic that the reasons for those noble lies often come back to the doorsteps of those who are rich, powerful and influential in society. Maybe they are politically influential. Maybe they are culturally influential. But, at the end of the day, they have money and success, so morality must take a hit in the name of service to a certain community.

I’m not writing this to relitigate the O.J. trial. If anyone is interested, there are hours and hours of retrospective analysis and raw historical footage that you can view from any lens if you wish to understand what it was like to live through that time. I’ve already said that I believe he was guilty and that he got away with murder. Unless the real killers should magically turn up with smoking gun evidence, my view on this will never change.

My reasons for writing about this now are merely to take note of the fact that our modern age of mass gaslighting didn’t start when Donald Trump first ran for president in 2016. It didn’t start when he won that election. It didn’t start when COVID-19 broke free into the world. It didn’t start when George Floyd was murdered. It didn’t start when a violent mob assaulted the U.S. Capital on January 6, 2021. It didn’t start when Russia invaded Ukraine, or Hamas raped and massacred thousands of Israeli citizens on October 7, 2023.

It didn’t even really start when certain voices began to excuse 9/11, or when Bill Clinton avoided paying a political price for the Monica Lewinsky affair. To my mind, our modern age of mass gaslighting started on October 2, 1995, when an entire segment of the country knew that a rich and powerful man murdered his wife and an inconvenient bystander and got away with it because he had the means to hire the best lawyers that money could buy, and they carried his water anyway, knowing damn well that the story wasn’t true. The modern gaslighting age started when the internet was only in its infancy, cellular phones were a rare luxury and you actually had to go to the library to do research. DNA was a semi-magical concept shrouded in the respectability of science, but still elusive to the masses.

How the acquittal of O.J. Simpson on double murder charges has served the larger interests of the African-American community is beyond me. I certainly know how it served the activist class, including certain journalists, pundits and academics who have a vested interest in the racial grievance game. But how it served the interests of the average, decent mom and pap folks who just want to make it through life with their fair share of dignity, respect and opportunity that goes beyond their skin color…I have no idea.

Supposedly, video has surfaced of one of the jurors from the O.J. murder trial admitting that everyone on the jury knew that he was guilty, but they wanted revenge for the Rodney King beating in 1992. I appreciate the candor. I’d rather hear unpleasant truths than be lied to for the advancement of some self-serving fiction. On the other side of it, the implicit understanding is that O.J.’s subsequent conviction for robbery in 2007 at the hands of an all-white jury was payback in kind for his skating on the murder charges in 1994. He served 10 years in prison, which was merely a fraction of what he actually deserved, but at least it was something. In the meantime, it looks as if O.J. was able to get away with not paying the bulk of the hefty judgement against him leveled by the Goldman family in the wrongful death civil suit.

And so, round and round we go, tit-for-tat. Each side in the grievance game can hold up their chosen avatar when the argument comes. The white folks have O.J. Simpson, who should’ve died of cancer while serving a life sentence in prison. The left has Mark ‘scumbag’ Fuhrman, who still enjoys being a celebrity contributor on Fox News. It appears that this is how we will be playing the grievance game for the next while. There does not appear to be an off-ramp on this doom carousel. Only God will decide when he’s ready to turn off the music.

I have no idea what became of Kenji. We were never close. I do hope he’s well. I do know that one of the two gentlemen I argued with in the Quadrangle became very prominent in NFB leadership. I heard from reliable sources that he ran cover for Fred Schroeder long before the sexual scandal broke in 2020. How appropriate that he had a chance to sharpen his gaslighting skills and that he could be useful to the so-called, “greater good.”

Incidentally, I do recommend the limited series, American Crime Story: The People vs. O.J. Simpson, aired eight years ago on F-X. There are some unfortunate casting choices to be sure. Cuba Gooding Jr. was a terrible choice to play O.J., and John Travolta was cartoonish as Robert Shapiro. But the story is saved by excellent performances by Sarah Paulson as Marcia Clark, Courtney B. Vance as Johnny Cochran, David Schwimmer as Robert Kardashian (Kim’s dad) and especially by Sterling K. Brown as Chris Darden. The writing is thoughtful and deliberate, taking no definite positions about guilt or innocence amidst the growing circus of the trial. If you can find it, it’s well worth your time, unlike the successive ACS series concerning the Bill Clinton impeachment saga. I have not yet watched the five-part documentary, O.J. Simpson: Made in America.

God bless the Brown and Goldman families. God bless O.J.’s kids. They didn’t ask for this. And God help America. You can turn off the music any time now, Big Daddy.

Sufferin’ Snakes!!!

Happy 82nd birthday to The Green Hornet; one of my top five most favorite old-time radio shows of all time. I should’ve written a worthy tribute myself, but this will do in a pinch. It’s from the Radio Spirits blog, which sponsors the Radio Classics channel on SyriusXM and still offers digitally remastered shows for sale, believe it or not.

“He hunts the biggest of all game! Public enemies who try to destroy our America!”
January 31, 2018

By Ivan G Shreve Jr

In the annals of radio broadcasting, Detroit, Michigan’s WXYZ was a truly remarkable station. It would introduce one of the medium’s larger-than-life heroes
(and a genuine pop culture icon) in The Lone Ranger in 1933. Ten years later, Sergeant Preston of the Yukon (described by more than a few as “The Lone
Ranger on ice”) was added to its panoply of juvenile heroes. In between those successful programs came The Green Hornet, which premiered over WXYZ on this
very date.

It was station owner George W. Trendle, giddy over the success of The Lone Ranger, that suggested to WXYZ director James Jewell and writer Fran Striker
that they pursue a second radio series along the same lines. After kicking ideas back and forth, it was decided to tweak the Ranger formula (an individual
facing off against the forces of corruption prevalent in both politics and society) to give it a modern-day bent. The legend has it that Trendle was obsessed
with using a bee as a symbol for the new hero, purportedly due to an incident in which he spent a sleepless night in a hotel room with a trapped bee buzzing
constantly.

The show’s original title was The Hornet. Trendle wasn’t completely satisfied with this; he was concerned about possible legal problems since that same
title had been used for a previous radio series. After a discussion on the color of the hornet (pink, blue, chartreuse), it was decided that their hornet
would sport a hue of green. (I read somewhere that “green hornets” are the angriest of their kind—but I am not going to say this with any degree of authority,
because I make it a point to stay away from any kind of hornet, regardless of their color.)

It probably didn’t escape the notice of those listeners who tuned into The Green Hornet that there were a number of similarities between the series and
the earlier Ranger. The Ranger’s mode of transportation was “his great horse Silver,” while the Hornet tooled around in a sleek, black automobile dubbed
“The Black Beauty.” Both heroes operated outside the law (though they themselves were not lawless), and for their trouble were occasionally believed by
law enforcement to be engaging in criminal behavior (though it always seemed that The Hornet got the worst of this—all the Ranger had to do was show skeptics
a silver bullet to remove all doubt). And like the Lone Ranger’s “faithful Indian companion Tonto,” the Green Hornet had his own sidekick in a Filipino
valet named Kato. Kato, like his boss, was not what he seemed: he functioned as the Hornet’s chief-cook-and-bottle-washer, but he was quite schooled in
chemistry (the Hornet’s gas gun and smokescreens were his designs) and the art of Oriental combat. Kato also knew the Green Hornet’s true identity: Daily
Sentinel publisher Britt Reid.

That last name may ring a familiar bell. As the mythology of The Lone Ranger developed over the years, the folks at WXYZ gave their masked hero a certain
backstory: he had been Texas Ranger John Reid. And in a number of Lone Ranger episodes, he would ride with his young nephew, Dan Reid. The Green Hornet’s
writers later capitalized on this familial connection by revealing that Dan Reid was the father of Britt, who had quite a surprise for his pa when he revealed
that he was more than just a callow millionaire playboy. As the cherry on top of this sundae, the elderly Dan Reid was played by John Todd—who played Tonto
on The Lone Ranger.

Did anyone else but Kato (and later Dan Reid) know that Britt Reid and The Green Hornet were one and the same? Well, Britt’s secretary Lenore Case (“Miss
Case” to Britt; “Casey” to pretty much everyone else) certainly suspected that something was up. In the final years of The Green Hornet’s radio run, she
had put two and two together…but kept the information to herself. One person who did not suspect was Michael Axford, a cantankerous Irishman who started
out on the series as Reid’s bodyguard, but eventually wound up as one of the Sentinel’s reporters. (And you thought Sean Penn was responsible for the death
of journalism.) Axford could certainly handle himself in a tough scrape, but he served mostly as the program’s comic relief, forever railing against “that
no-good spalpeen, the Har-nut!” Other Sentinel employees included the paper’s ace reporter Ed Lowry and resourceful female photographer “Clicker” Binney.

When The Green Hornet premiered over WXYZ in 1936, the titular hero was played by actor Al Hodge. Hodge became so identified as “the Har-nut” that when
Universal brought the crime fighter to the silver screen in the form of a 1940 serial, they had Hodge dub the voice of the Hornet. (He was physically portrayed
by Gordon Jones.) Hodge would be replaced by Robert Hall in 1943, and Hall himself would be relieved by Jack McCarthy in 1946. McCarthy continued in the
role until the series rounded up its last evildoer on December 5, 1952 as the familiar strains of Rimsky-Korsakov’s The Flight of the Bumblebee played
the program out. (Another similarity to The Lone Ranger was the use of familiar classical music pieces as their theme music.)

Copyright 2016 Ivan G Shreve Jr and RSPT LLC. All rights reserved.

This article gets a few things wrong:

Al Hodge played Britt Reid/The Hornet from 1936 to 1944 when he was drafted. During his absence, both A. Donovan Faust and Robert Hall carried the role until Hodge’s return in January of 1945. Hodge continued the role for eight months, departing for New York in September, at which point Robert Hall again resumed the role for nearly two years, until July of 1947, when Jack McCarthy took over the role for the duration of the series’ run.

Kato’s ethnicity was not always Filipino. For the first five years of the program, Kato was Japanese, even being played by a Japanese actor. His heritage mysteriously changed at or near the time of the bombing of Pearl Harbor.

Lenore Case did indeed learn the true identity of the Green Hornet, but the article states that she kept it to herself. This is incorrect. Casey figured it out, but Britt took her into his confidence and often called upon her assistance to nail a bad guy. Police Commissioner Higgins also learned the Hornet’s identity and provided aid behind the scenes, which lent the Hornet an air of legitimacy as the ‘50’s approached and law and order became the standard of entertainment in the wake of World War II.

The Green Hornet deserves his due because he was the first masked vigilante of the modern era. He came before Superman, Batman, Spider-Man and even the crimefighting radio version of The Shadow. He was the true renegade, going after the villains who were too smart to be caught by legal means. This, of course, put him at odds with the cops. He did not possess any super powers; he could not fly or bend steel with his bare hands. He did not own an arsenal of fancy gadgetry and he didn’t operate in a secret underground cave. All he had was Kato, a gas gun, a super-fast car and his brains.

One final note… A guy named Martin Grams wrote an extensive book about the Green Hornet in all of his incarnations; radio show, movie serials, TV series and comics. It has always been my dream to read this book, but Mr. Grams refuses to make it available to Bookshare.org because he fears it will be pirated. I bought a copy of the book and sent it off to a Bookshare transcriber, but never heard another word. This was five years ago. This is such a niche item that I doubt I will ever get to read it. So, Mr. Grams, you can kiss my ass, ya spalpeen! I hope a real hornet stings you right in the eye!